Upright Posture and Gendered Styles of Body Movements in The Mill on the Floss
George Eliot predicates the two principal characters of her second novel, The Mill on the Floss (1860), not on fixed traits but on gendered differences in styles of body movement. This chapter approaches the interplay of medicine and mobility through the lens of the feminist phenomenology of perception, situating Eliot’s configuration of the gendered scripts of posture in the proto-orthopaedic dis